I went for the same planning-structure as the previous tasks so here are the character profile (including power-centre) for the main character and a pose-sheet/storyboard:
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxHEwMphCVPmXwOOanKe0hMa3E40ieihswcBcXPgMxGcekYn4XHs9VX5Vjme0Zyn6oi3ycfCL2bWqw55-F7zYyC17dSgvwZ4-1oxRIllCxPo7wyGaouBu3DnpUDQSrYzmdV8BivgHoez5X/s400/Character+profile+Frank.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGuKljqqLOdv3T6hfYjEPtjalBbOw4vAR3EquqSkNPsDMdEOQh-v5_82DOmjhexfjiCjO1MbtDrIcYUHa1GgV8NQ11pt1Hj5Oh7UdjXf9r4dUTDvU2h_RPXosRHI94JqbwFFmwVFw1qLln/s400/The+presenter+Posesheet-storyboard.jpg)
As usual I've combined the key-poses, storyboard and the dialouge on one big page.
It's worked out pretty good as a source of reference so far and I find it easy to understand and it's proven to be very useful, especially in the previous task; the "song & dance".
One new thing I did was to use a combination of traditional hand-drawn scene with a digitally drawn character, this was very efficient since I had the background set up rather quickly (draw faster with a pencil) and it's the same during the whole shot.
Then when the character was done digitally so it would be easy to undo mistakes or change/move things around.
I really liked the look of it as well, but the best part is that it took less time than usual to do the pose-sheet this way and that's what really counts when your working under pressure.
- Valuable lesson learned.
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